However, with the rise in oil prices in the 2000s, people started to realise that oil resources are finite. At that time Sudo was immersed in making hybrid fabrics, mixing synthetic and natural fibres – nylon and wool, for example. In the 1990s, Japan embraced the prosperity of synthetic fibres such as nylon and polyester. Sudo’s focus on sustainability began at the turn of the millennium. Textile made of kibiso Jeremie Souteyrat, Japan House London ‘Time of repentance’ The new material has a high moisture retention and antioxidant effect, just like silk. Sudo and Tsuruoka Silk, a local silk manufacturer, developed a technology to produce fine threads from kibiso. Because of its uneven thickness and coarse texture, it was not suitable for making yarn and was used in skincare products instead. Kibiso is the very first fibre a silkworm spits out when making silk cocoons. One of Sudo’s prominent examples of sustainable textile production is precisely this kibiso project, which she launched in 2008 with silk manufacturers in Tsuruoka City, in the northernmost silk production area in Japan. Her textiles were also recently exhibited in the Textile Museum in St Gallen in eastern Switzerland. Her work is highly acclaimed around the world, including being permanently preserved at the Museum of Modern Art (MoMA) in New York. Nuno has been working exclusively with weavers and dyers in Japan, combining new technologies with traditional practices to create original textiles. Their paper products that allow people to express themselves freely, are now accompanied by stationery tools to enjoy using with Midori's paper.Sudo has been the design director of the leading textile design studio NUNO (Japanese for fabric) in Tokyo for over 30 years. They do this by paying special attention to beauty and the materials used.Įver since then, they've continued to develop a range of design-focused products that enrich and add color to people’s daily lives - maintaining its base in design and paper, while evolving into a comprehensive manufacturer of stationery items. Since its establishment in 1950, Midori manufactures paper goods that combine both aesthetics and functionality. Everything has its time, even the stationery you use. Each collection is inspired by nature, depicting symbolic highlights for each season cherry blossoms for spring, wisteria for summer, maple leaves in autumn and Camelias in winter. The Midori Kami Paper Series celebrates these traditions with limited edition designs for each season. Paper designs with seasonal symbolism have been a long-standing part of gift giving and letter writing traditions. The seasons play an important part in Japanese culture from eating foods in season to, you guessed it, seasonal stationery. Perfect pen partners fountain pens, water based ink pens, brush pens & inkjet printing Printed on subtly textured Iyo washi paper, the envelopes feature a descending moon illuminating a Japanese maple tree. The moon and some of the Japanese maple leaves are silk printed in gold. The Midori Kami Series Japanese Maple Envelopes are the perfect companion to the Kami Series Japanese Maple Letter Pad and Message Letter Pad. For this autumn, Midori selected the Japanese maple tree. Send your notes on stationery adorned with the blooms of the season. TRAVELER'S notebook Passport Size RefillsĪ new season, new stationery. TRAVELER'S notebook Olive Release & New items
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